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COSMOGONY
IN LIMINE
The series of paintings entitled “Cosmogony” explores the philosophy of movement through an artistic lens, focusing on how it can be captured and conveyed in pictorial space. Each work in this series seeks to express the complexity of movement, including its interplay with immobility.
In this relentless quest to capture movement, you discover that the concept actually contains a significant element of immobility. It’s a fascinating idea that can be interpreted through philosophical concepts such as the duality between perpetual motion and inner stillness, or the tension between becoming and being.
The term “Cosmogony” takes on a metaphorical meaning in this context. Rather than focusing on the creation of a star, it becomes a symbol of the search for art out of nothing. As in cosmogony, where something emerges from the void, art takes shape from nothing. This definition of art as a process of exploration and discovery, where the end result is unknown at the outset.
In short, the “Cosmogony” series philosophically explores the concept of movement and immobility through an artistic perspective, while linking these ideas to broader concepts of duality and creative tension, offering a visual meditation on the complex nature of human experience.
At the edge of the void, each work is an exploration of instability and the breaking point. Suspended between rising and falling, these figures capture that moment of extreme tension when everything seems ready to topple over. The series as a whole questions the fragility of human equilibrium and the potential for transformation it holds. This breaking point becomes the theater of uncertainty, a threshold where opposing forces are at their peak, ready to annihilate or elevate.
Through dynamic, intense visual compositions, she captures fragments of falling and rising, moments suspended between action and immobility, where each form seems to freeze in a precarious equilibrium. These figures of the unstable are neither totally falling, nor entirely rising, but in a perpetual dynamic, underlining the tension between what is and what could be.
The Men become guardians of the fall, representing both risk and the possibility of elevation. Their posture, frozen in the moment when everything can fall apart, becomes a metaphor for existential uncertainty, and the never-ending quest for an uncertain elsewhere. The canvases, vibrant with color and texture, capture this essence of the ephemeral, where the vertigo of the situation compels us to feel the moment just before the balance breaks.
In Limine echoes these visual and emotional “vertigo”. The works, while rooted in contemporary art, are nourished by a timeless reflection on the human being and his or her relationship to change, instability and the ephemeral. Each painting becomes a mirror, a frozen moment where we can glimpse both the possible fall and the possible rise, where the beauty of the unstable is revealed in all its power.
